ChordKeysChord & scale reference

C♯ Melodic Minor Scale (C#)

The C# melodic minor scale goes up as C# – D# – E – F# – G# – A# – B# – C#. Coming down it is C# natural minor: C# – B – A – G# – F# – E – D# – C#. The 6th and 7th are raised going up (A to A#, B to B#) and restored coming down, all written as accidentals in the key signature of C# minor (4 sharps: F#, C#, G# and D#).

C#D#EF#G#A#B#
UpC#D#EF#G#A#B#C#
Right hand23123412
Left hand32143213
DownC#BAG#F#ED#C#
Right hand32132143
Left hand31234123

Piano fingering for one octave, read left to right as you play it; 1 is the thumb. Coming down the notes are the natural minor's, so the fingers are too.

C# melodic minor scale fingering

Right hand, going up: the thumb tucks under to E and B#. Left hand, going up: finger 4 crosses over the thumb to F# and finger 3 crosses over the thumb to C#. Coming down, the right thumb plays E and A and the left thumb plays E and B. Practise each hand alone, slowly, until the turns are smooth, then play hands together.

C♯ melodic minor scale on a piano keyboard going up: C♯ D♯ E F♯ G♯ A♯ B♯ C♯, right hand fingering 2 3 1 2 3 4 1 2, left hand 3 2 1 4 3 2 1 3

Going up vs coming down

Degree1234567
UpC#D#EF#G#A#B#
DownC#D#EF#G#AB

The first five notes never change. Going up, A# and B# lead smoothly to C# and avoid the three-semitone gap of C# harmonic minor. Coming down there is no leading note to serve, so the scale falls back to B and A, the notes of C# natural minor.

What C# melodic minor is used for

In classical music it shapes melodies: a line rising to C# takes A# and B#, and a line falling from it takes B and A. In jazz the ascending notes are played in both directions, and it is often called the jazz minor scale, used over tonic minor chords such as C#m and C#m6.

Chords that change from natural minor

DegreeNatural minorMelodic Minor
2D#dim (ii°)D#m (ii)
3E (III)Eaug (III+)
4F#m (iv)F# (IV)
5G#m (v)G# (V)
6A (VI)A#dim (vi°)
7B (VII)B#dim (vii°)

Notes and intervals

NoteDegreeInterval from C#Semitones
C#1root0
D#2major 2nd2
Eb3minor 3rd3
F#4perfect 4th5
G#5perfect 5th7
A#6major 6th9
B#7major 7th11

Step pattern

Going up, the melodic minor scale is built from the pattern W – H – W – W – W – W – H (W = whole step, H = half step). Apply that pattern from any starting note and you get the same scale in a different key.

Key signature

C# minor has 4 sharps: F#, C#, G# and D#, and melodic minor uses the same key signature. Going up, A# and B# are written as accidentals; coming down they are cancelled. See the key of C# minor for its chords.

Chords in C# melodic minor, going up

These triads are stacked from the ascending notes, which is how jazz harmony uses the scale. Coming down, the chords are those of C# minor.

DegreeNumeralChordNotes
1iC#mC# E G#
2iiD#mD# F# A#
3III+EaugE G# B#
4IVF#F# A# C#
5VG#G# B# D#
6vi°A#dimA# C# E
7vii°B#dimB# D# F#

More scales on C#

Melodic Minor scale in other keys

Frequently asked questions

What notes are in the C# melodic minor scale?

The C# melodic minor scale contains C#, D#, E, F#, G#, A#, B#, then returns to C# an octave higher. That is the ascending form; coming down it plays C#, B, A, G#, F#, E, D#, C#.

Is C# melodic minor the same going up and coming down?

No. Going up it plays C#, D#, E, F#, G#, A#, B#. Coming down it plays the natural minor: C#, B, A, G#, F#, E, D#, C#. Only the 6th and 7th differ. Jazz players often use the ascending notes both ways.

What key signature does C# melodic minor use?

The key signature of C# minor: 4 sharps: F#, C#, G# and D#. The raised 6th and 7th are written as accidentals.

What is the fingering for the C# melodic minor scale on piano?

Going up, the right hand plays 2 3 1 2 3 4 1 2 and the left hand plays 3 2 1 4 3 2 1 3, where 1 is the thumb. Coming down, the notes change, so the fingers come from the natural minor: from the top note the right hand plays 3 2 1 3 2 1 4 3 and the left hand plays 3 1 2 3 4 1 2 3.

What is the step pattern of the melodic minor scale?

It follows the pattern W – H – W – W – W – W – H, where W is a whole step (two semitones), H is a half step (one semitone) and W+H is three semitones.